Normally I have always used the 10-46 but in the new group sound in which the type of rock "harder", the need to increase to 60/70% rhythmic accompaniment, and the heavy hand of former bass player I are doing consider the possibility of trying a wetsuit with greater scaling, since the 10-46 seems to suffer a little.
I thought gauges 11-48, I could also try something like 10-50 or 11-56 and so on but I keep on a balanced scale.
First, in your experience, I would like to know if the "natural constitution" of LP (in this case, Custom), is fully suited to withstand a 11-48, in the same way that a smooth layer holds the 10-46.
Then my doubts were purely technical.
I have seen and read another article on this subject but the attention, even by experts, has focused almost all of the difference of the sound.
First, in your experience, I would like to know if the "natural constitution" of LP (in this case, Custom), is fully suited to withstand a 11-48, in the same way that a smooth layer holds the 10-46.
Then my doubts were purely technical.
I have seen and read another article on this subject but the attention, even by experts, has focused almost all of the difference of the sound.
Playing it, even out of the box, the Baby Taylor has a characteristically percussive sound, loud but without a great deal of sustain, and with a very pleasant treble sweetness with a bit of bite. String balance is excellent. Sonically, the instrument is well-balanced, and an excellent instrument for finger-style blues and ragtime.
With its shortened scale it is more difficult to get into perfectly intonated tuning than a full-size guitar but the intonation is excellent overall. It is very ease to tweak the neck angle using the neck adjustment (a no-no that I vote yes-yes to with all my instruments!), also it can be set to a very low action without significant buzzing. Over time, the instrument has mellowed and opened up, and the top has aged gracefully.
This is my top recommendation particularly for young players starting out.
Don't let the size fool you, this baby Taylor is surely loud enough most situations, it holds its own in jam sessions, and the fingerboard is flat and easy to maneuver for small or larger hands alike. Played professionally, it is a remarkably valuable addition to a band, as it provides a significant shift in tone that's useful to add variety to performances. Definitely best travel acoustic guitar of all time! However, the fretboard isn't well crafted but hey at this price and this sound, what more a guitarist can ask for?